新时期文学的精神分析学研究(80页).rar
新时期文学的精神分析学研究(80页),目录中文摘要英文摘要引言·················································································1第一章精神分析的话语空间······················································...
该文档为压缩文件,包含的文件列表如下:
内容介绍
原文档由会员 白痴学东西 发布
目录
中文摘要
英文摘要
引言·················································································……1
第一章精神分析的话语空间······················································……4
第一节精神分析的批评空间················································……4
第二节新时期文学的心理之维·············································……14
第二章爱与性的多重叙述·························································……23
第一节“恋母”情结的文学演绎··········································……23
第二节“恋母”情结的影像化·············································……35
第三节生命交响乐的变奏···················································……39
第三章走进历史和心灵深处······················································……44
第一节文学与神话····························································……44
第二节寻根文学的实验······················································……46
第三节《白鹿原》的神话叙述·············································……51
第四章卑微者的精神之歌·························································……55
第一节自卑情结与生命意识················································……55
第二节灵魂的碎片·························································……57
结论·················································································……63
注释·················································································……69
参考文献·················································································……72
后记·················································································……73
了
新时期文学的精神分析学研究
【内容摘要】
没有哪个时代像今天这样，人们相信自己的眼睛胜过于自己的心灵，他们在
纷繁复杂的生活现象中忽略了自己心灵的去处，从而产生了一股莫名的心灵的焦
虑，并努力想把这种心灵的焦虑诉诸于创作。而精神分析学作为一种心理批评方
法，正是从人的心灵深处出发，努力挖掘存在于人的无意识深处的心灵的焦虑，
思想的生命，把它们从沉睡中唤醒，也许把它们创造出来，达到一种心灵之间的
最美精神对话，梦想一种心仪并发之外的邂逅。这也是本文试图运用精神分析学
的方法，所企求达到的一个目的。根据精神分析学派的发展脉落及其批评特征，
本文大致从两个方面进行着手分析:一，根据弗洛伊德、荣格的心理分析，重在
解释作品的内在意义。如对张贤亮、王蒙、王安忆、刘恒、陈忠实等人的作品进
行个案分析，试图从恋母情结、生命悲剧意识、性意识等人类精神领域的命题入
手，寻找作品的意义，更寻找人类生存的意义。二，根据阿德勒的“自卑”言论，
探索史铁生作品中的残疾主题、自卑情结，从中揭示了除了生存以外的生命意识:
生命价值的平等和人格价值的平等。并力图抽拔出史铁生对待生命的态度，也正
是现代人在生存困境中的生存态度，而这正是我们每个人所必须面对的现实。
除此之外，有感于新时期文学的多元性和复杂性，本文还尝试将笔触深入到
更广阔的精神领域里，既希望从感性上有力的把握新时期作家的创作，又能对当
代人的精神处境进行一定的关照。精神分析学不是万能的钥匙，但它那“冰山”
一角的亮光已然开启了人类广裹无限的集体无意识大门，一如当年弗洛伊德力图
从无意识角度去解释作家进行文学艺术创造的终极根源和最终推动力，这种努力
和勇气对于今天的后辈学者同样具有一定的开拓意义和启迪价值。
【关键词】精神分析学 新时期文学 恋母 原型
中文摘要
英文摘要
引言·················································································……1
第一章精神分析的话语空间······················································……4
第一节精神分析的批评空间················································……4
第二节新时期文学的心理之维·············································……14
第二章爱与性的多重叙述·························································……23
第一节“恋母”情结的文学演绎··········································……23
第二节“恋母”情结的影像化·············································……35
第三节生命交响乐的变奏···················································……39
第三章走进历史和心灵深处······················································……44
第一节文学与神话····························································……44
第二节寻根文学的实验······················································……46
第三节《白鹿原》的神话叙述·············································……51
第四章卑微者的精神之歌·························································……55
第一节自卑情结与生命意识················································……55
第二节灵魂的碎片·························································……57
结论·················································································……63
注释·················································································……69
参考文献·················································································……72
后记·················································································……73
了
新时期文学的精神分析学研究
【内容摘要】
没有哪个时代像今天这样，人们相信自己的眼睛胜过于自己的心灵，他们在
纷繁复杂的生活现象中忽略了自己心灵的去处，从而产生了一股莫名的心灵的焦
虑，并努力想把这种心灵的焦虑诉诸于创作。而精神分析学作为一种心理批评方
法，正是从人的心灵深处出发，努力挖掘存在于人的无意识深处的心灵的焦虑，
思想的生命，把它们从沉睡中唤醒，也许把它们创造出来，达到一种心灵之间的
最美精神对话，梦想一种心仪并发之外的邂逅。这也是本文试图运用精神分析学
的方法，所企求达到的一个目的。根据精神分析学派的发展脉落及其批评特征，
本文大致从两个方面进行着手分析:一，根据弗洛伊德、荣格的心理分析，重在
解释作品的内在意义。如对张贤亮、王蒙、王安忆、刘恒、陈忠实等人的作品进
行个案分析，试图从恋母情结、生命悲剧意识、性意识等人类精神领域的命题入
手，寻找作品的意义，更寻找人类生存的意义。二，根据阿德勒的“自卑”言论，
探索史铁生作品中的残疾主题、自卑情结，从中揭示了除了生存以外的生命意识:
生命价值的平等和人格价值的平等。并力图抽拔出史铁生对待生命的态度，也正
是现代人在生存困境中的生存态度，而这正是我们每个人所必须面对的现实。
除此之外，有感于新时期文学的多元性和复杂性，本文还尝试将笔触深入到
更广阔的精神领域里，既希望从感性上有力的把握新时期作家的创作，又能对当
代人的精神处境进行一定的关照。精神分析学不是万能的钥匙，但它那“冰山”
一角的亮光已然开启了人类广裹无限的集体无意识大门，一如当年弗洛伊德力图
从无意识角度去解释作家进行文学艺术创造的终极根源和最终推动力，这种努力
和勇气对于今天的后辈学者同样具有一定的开拓意义和启迪价值。
【关键词】精神分析学 新时期文学 恋母 原型
