浅析吴宪生水墨人物画艺术.doc

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浅析吴宪生水墨人物画艺术,这篇是国画专业的本科毕业论文,全文5900多字。摘要吴宪生先生长期从事于中国人物画造型基础教学,擅长人物与人体素描,专注中国水墨人物画的教学与创作研究,继承和发扬浙派人物画的优秀传统,并在此基础上拓展和创新。吴宪生先生把素描的严谨造型与中国画的笔墨表现有机地融合在一起,数十年如一日地坚持这样一条...
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浅析吴宪生水墨人物画艺术





这篇是国画专业的本科毕业论文,全文5900多字。



摘要

吴宪生先生长期从事于中国人物画造型基础教学,擅长人物与人体素描,专注中国水墨人物画的教学与创作研究,继承和发扬浙派人物画的优秀传统,并在此基础上拓展和创新。吴宪生先生把素描的严谨造型与中国画的笔墨表现有机地融合在一起,数十年如一日地坚持这样一条崎岖而艰难的学术道路,为达到“度物取真,写形传神”的至高境界而不懈地实践,他认为“人物画立意第一、造型第二、笔墨第三。立意浅不能动人、造型弱不能服人、笔墨差不能悦人。”他集立意、造型、笔墨为一体,形成了颇有特色的“吴宪生风格”。吴宪生先生精于人物肖像画创作,所作人物造型严谨扎实,个性特征鲜明,尤其善于通过深入而细腻的面部刻画,去透视人物的内心世界和现实命运。笔墨表现厚重凝练,用笔沉稳有力,作品的风格集豪迈洒脱与沉郁内敛为一体,既有强烈的主观表现意味,又具有深刻的思想内涵。

关键词:吴宪生;水墨;人物


 




According to the WuXianSheng ink painting art

Abstract

Mr. WuXianSheng engaged in teaching Chinese figure painting modelling foundation, in character and human body sketch, focus on Chinese ink painting of teaching and research, to inherit and carry forward the fine tradition of zhejiang sent figure painting, and on this basis expansion and innovation. Mr. WuXianSheng sketch rigorous modelling and the Chinese painting pen and ink show organically fuses in together, dozens of years like one day to adhere to such a rugged and difficult academic road, in order to reach the thing really, the writing of take shape lifelikeness “e supreme state of the unremitting ground practice, he thinks" figure drawing the first, second, conception modelling third. Conception is shallow and not moving, the modelling weak can't justify, ink difference can not pleasing.”He set the heart of modelling, ink as one, formed quite distinctive “Wuxiansheng”.

Key words:Wuxiansheng;Ink painting;characters