工业设计专业英文文献及翻译----“绿色设计”与情感回归.doc
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工业设计专业英文文献及翻译----“绿色设计”与情感回归,'green design' is a late 20th century, there at the moment 80 international design trends. as early as the late 20th century, 60 well-known industrial designer ...
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'Green design' is a late 20th century, there at the moment 80 international design trends. As early as the late 20th century, 60 well-known industrial designer and educator-dimensional multi-Peipanike on the publication aroused strong repercussions in the design world works 'is designed for real-life', presented in the book and the public at the time different points of view, he considered that the things around us are created by designers, designers in the Marketing and customer satisfaction is not only just play 'beautify' the role of the designer should also be emphasized that the social and moral ethics Worth . Far-reaching impact of this book has continued to this day.
Into the 21st century, because of the world's governments on environmental issues seriously. The establishment of laws and regulations relating to environmental protection, competition among enterprises, making with the idealism of 'green design' step by step with the trend of practical significance. Based on the attention and understanding of environmental issues, people from the 20th century, 60's too radical a 'green movement', developed to present a relatively mature 'green consumption' behavior, which is 'green design' has brought new opportunities.
“绿色设计”是20世纪80年代末出现的一股国际设计潮流。早在20世纪60年代末著名的工业设计师及教育家维可多•佩帕尼克就出版了在设计界引起强烈反响的著作《为现实生活而设计》,在书中提出了在当时与众不同的观点,他认为我们周边的事物都是由设计师创造的,设计师在市场销售和用户满意度方面不单单只是起到“美化”的作用,同时应强调设计师的社会及道德的伦理价值。这本书的深远影响一直延续到今天。
进入21世纪,因世界各国政府对环境问题的重视.有关环境保护法规的建立,企业间的竞争,使得带有理想主义色彩的“绿色设计”潮流逐步有了现实意义。基于对环境问题的重视和了解,人们已从20世纪60年代的过于激进的“绿色运动”,发展到现今相对成熟的“绿色消费”行为,这为“绿色设计”带来了新的契机。
设计师作为产品的主要策划者和创造者,对产品的各个阶段所产生的环境问题都会有直接和间接的影响。尤其是往往由他们决定产品所选用的主要材料,产品如何制造?采用何种特殊的表面处理方式以达到最终的表面效果?产品如何使用?用后的废弃物如何处理?是否使用可回收或再利用的材料?设计师对众多问题起决定性的作用。
更重要的是,设计师是连接产品与人之间的纽带。他们能引导并改变人们使
Into the 21st century, because of the world's governments on environmental issues seriously. The establishment of laws and regulations relating to environmental protection, competition among enterprises, making with the idealism of 'green design' step by step with the trend of practical significance. Based on the attention and understanding of environmental issues, people from the 20th century, 60's too radical a 'green movement', developed to present a relatively mature 'green consumption' behavior, which is 'green design' has brought new opportunities.
“绿色设计”是20世纪80年代末出现的一股国际设计潮流。早在20世纪60年代末著名的工业设计师及教育家维可多•佩帕尼克就出版了在设计界引起强烈反响的著作《为现实生活而设计》,在书中提出了在当时与众不同的观点,他认为我们周边的事物都是由设计师创造的,设计师在市场销售和用户满意度方面不单单只是起到“美化”的作用,同时应强调设计师的社会及道德的伦理价值。这本书的深远影响一直延续到今天。
进入21世纪,因世界各国政府对环境问题的重视.有关环境保护法规的建立,企业间的竞争,使得带有理想主义色彩的“绿色设计”潮流逐步有了现实意义。基于对环境问题的重视和了解,人们已从20世纪60年代的过于激进的“绿色运动”,发展到现今相对成熟的“绿色消费”行为,这为“绿色设计”带来了新的契机。
设计师作为产品的主要策划者和创造者,对产品的各个阶段所产生的环境问题都会有直接和间接的影响。尤其是往往由他们决定产品所选用的主要材料,产品如何制造?采用何种特殊的表面处理方式以达到最终的表面效果?产品如何使用?用后的废弃物如何处理?是否使用可回收或再利用的材料?设计师对众多问题起决定性的作用。
更重要的是,设计师是连接产品与人之间的纽带。他们能引导并改变人们使